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The story behind famous picture of Bhagat Singh in a Hat

Hello to all, this past week has been tormenting for me, I couldn't stay in touch with all of my readers, missed so many important news. I also missed quiz sets on some days. I am sorry for the same, to make things up here I am with a midweek trivia story from the pages of the pre-independence modern history of India. This past 28th September was the birth anniversary of the legendary Bhagat Singh. While he has been one of the most covered freedom fighters but there exists one unknown story related to him which has so far eluded common knowledge. 

All of us might have seen his pictures in social media handles, news, and WhatsApp stories of our friends, some might have even noticed his portrait hanging in walls of government buildings. Today I will be narrating the story of this famous portrait, which is almost exclusively used with him. 
Bhagat Singh famous portrait
Photograph of Bhagat Singh Ji

This photo was taken in the studio of Ramnath photographers probably on April 4, 1929, just a few days before Bhagat Singh and Batukeshwar Dutt threw bombs in the Delhi assembly. Ramnath Photographers was a shop in Kashmiri Gate, New Delhi.

Jaidev Kapoor, who was a member of the Hindustan Socialist Republican Association just like Bhagat Singh which had been planning to bomb the Assembly, arranged the photo.As British Police was searching wildly for him and other members of the organisation, he often used to change his identity. Bhagat Singh had renounced his kesh (the uncut hair of a Sikh) and his turban to evade capture in September 1928, which is the reason why he looks more like a young Indian who studied in Anglo-Indian education system.

Jaidev Kapoor in his old age, a close aide of Bhagat Singh
Jaidev Kapoor, a close aide of Bhagat Singh

Kapoor specifically asked the photographer to make it a memorable saying "our friend is going away, so we want a really good photograph of him." indirectly pointing towards the planning of being caught after bombing which was a sign of their protest and good intentions. Batukeshwar Dutt, another HSRA member, was photographed on a separate occasion, but with the same instruction. 

While the photographs were being developed, Bhagat Singh and Dutt were constantly planning and watching the movements in and around Delhi Assembly, bombing was not done to hurt anyone and was just used as a mark of protest, so they decided to use explosives when the president of the house moves the bill, which happened on the morning of 8 April. 

At Ramnath Photographers, however, production was delayed and revolutionaries did not realise that Ramnath was also contracted to take photographs for the police, and had been summoned to the police station in Old Delhi, where Bhagat Singh was taken after his arrest on 8 April 1929, to photograph him. It was suspected that those same pictures were used in the early investigation of the “outrage", as the police “ransacked all the hotels in Delhi with photographs of the accused.

Jaidev Kapoor failed to collect these photos initially, the HSRA members wanted to collect those photographs but were scared that if they would go to a photographer, he might hand them over to the police. Yet, it was ultimately Jaidev who took the risk, he took a gun in his pocket and went to collect it. The photographer gave him the pictures along with the negatives. That was how the photograph found its place among the masses.

Hjndustan Times article of 1929 usinf the picture
Hindustan Times article of that period using the hat picture

The HSRA members were angry with the negative media coverage of the action. The freedom fighters wanted to turn this coverage to their advantage. The photographs would be pivotal to this. Sukhdev left Delhi for Lahore, taking with him the negatives, from which he had multiple positive photographs made.

The photo was first published by Bande Mataram, an Urdu daily published from Lahore, on 12th April. Hindustan Times carried it on 18th April 1929. And that's how The Bhagat Singh’s hat became his defining attribute and a lasting imagery for the hero of freedom struggle. 


The article is based on the research by Kama Maclean, Professor of University of New South Wales in “A Revolutionary History of Interwar India”, a book I would highly recommend for further reading. 

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